George handel music hallelujah
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Hallelujah! (gospel song)
1992 song bygd Various Artists
"Hallelujah!" is a 1992 song from Handel's Messiah: A Soulful Celebration, a Grammy award winning Reprise Records concept skiva. The song is a soulful re-interpretation of the "Hallelujah" chorus from Messiah, George Frideric Handel's well-known oratorio from 1741. It is performed by a choir of all-star gospel, contemporary Christian, R&B and jazz singers, along with several actors. The song was arranged and produced by Take 6 alumnus Mervyn Warren, and conducted by Quincy Jones.[1]Handel's Messiah: A Soulful Celebration won the Grammy Award for Best Contemporary Soul Gospel Album in 1992, as well as a duva Award for Contemporary Gospel Album of the Year.[2]
The vocalists performing on "Hallelujah!" are Vanessa Bell Armstrong, Patti Austin, Bernie K., Daryl Coley, Commissioned, Andrae Crouch, Sandra Crouch, Clifton Davis, Charles S. Dutton, Kim Fields, Larnelle Harris, Edwin Hawkins, Tramaine
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Messiah (Handel)
1741 sacred oratorio by Handel
Messiah | |
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Title page of Handel's autograph score | |
Text | Charles Jennens, from the King James Bible and the Book of Common Prayer |
Language | English |
Composed | 22 August 1741 (1741-08-22) – 14 September 1741 (1741-09-14): London |
Movements | 53 in three parts |
Vocal | SATB choir and solo |
Instrumental |
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Messiah (HWV 56)[1][n 1] is an English-language oratorio composed in 1741 by George Frideric Handel. The text was compiled from the King James Bible and the Coverdale Psalter[n 2] by Charles Jennens. It was first performed in Dublin on 13 April 1742 and received its London premiere a year later. After an initially modest public reception, the oratorio gained in popularity, eventually becoming one of the best-known and most frequently performed choral works in Western music.
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The History of “Hallelujah” Chorus from Handel’s Messiah
A Brief Background on Handel’s Messiah
Handel’s crowning achievement, Messiah, was not an immediate success. In 1741, Handel was heavily in debt following a string of musical failures. It seemed that his career was over and he may even be forced to go to debtors’ prison. On April 8, 1741, Handel gave what he believed to be his final concert.
Later that year, two key events changed the course of Handel’s life and the landscape of music forever—his friend Charles Jennens wrote a libretto taken from the Bible, based on the life of Jesus Christ, and gave it to Handel. Then, Handel was given funding by a group of charities from Dublin, Ireland, to compose a new work for a benefit performance that would help free men from debtors’ prison. Handel would also receive his own commission for composing the work, which in turn helped him on his path to reversing his own misfortune.
The composition of Messiah , the compl