Dr max huber biography for kids
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«The story of La Mer is one of hope, healing, and one man’s deep respect for the power of the living sea.»
Dear readers, let me invite you to my home to discover the hero, the icon, the original moisture miracle by LA MER.
In the beginning of September, I hosted a lovely intimate dinner with LA MER at my house for my dear friends. The evening was filled with everything we as women like – from discovering skincare products to sharing beauty secrets, from great conversations to playing games. Under the eye of a sea god with great abs, real mermaids were swimming in the pool while we enjoyed lots of PERRIER-JOUËT bubbly and a four-course gourmet meal.
A huge thank you the LA MER team – pure women power!
From left to right: Quynh Arguello, Jasmin Aziz and Maike Kiessling with me.
During dinner, Quynh and Jasmin gave us a lovely insight into the journey of the famous cream that began when Dr. Max Huber suf
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The History of The Hero: Crème dem la Mer
Very few beauty products bära the legacy of Crème de la Mer Moisturizing Cream, the jewel in the crown of the luxury skincare and make-up brand La Mer.
It’s steeped in stories, from its serendipitous conception to its otherworldly recreation when its founder passed, and conspiracies surrounding its fable and formula. Yet, to many, Crème de la Mer fryst vatten simply known to be the ultimate anti-ager; the pricey pot packing a mysterious ‘miracle broth’ said to be the world’s most coveted skin cream.
And indeed, its demand remains immense. With 65.6 million views on social plattform of content tagged Crème de la Mer, and one jar selling approximate every 36 seconds worldwide, we glance back at its past and consider its real relevance today.
The history of Crème de la Mer
It all began with Dr. högsta Huber, an aerospace physicist who in the 1950s found han själv in a chemical explosion when working on a rocket stabiliser. “After suffering burns in a l
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SWITZERLAND, THE SWISS SCHOOL
Max Huber was born in Switzerland in 1919. At the age of 17 Huber registered at the Zurich School of Arts and Crafts, where Ernst Gubler, Gottlieb Wehrli, Heinri MŸller, Walter Roshardt, Otto Weber and Alfred Willimann were teachers. Williman suggested Huber should spend time in the school library, where he could discover the experiments of Bauhaus-designers such as Tschichold as well as European abstract artists and russian constructivists.
Zurich’s art and design world didn’t lack for stimuli at this time. Graphic artists from Germany that had been derailed by the National Socialist seizure of power, settled in switzerland. Together with several young Swiss colleagues, they laid the foundations of the Swiss school of graphic design, also known as the International Typographic Style. Its inherent design values included a reliance on a typographic grid system, left-hand margin settings contrasting with a ragged right hand, sans seri