Gareth pugh biography of christopher

Yesterday was the day Gareth Pugh would normally be showing in Paris. Instead, he staged that enormous &#;immersive presentation&#; in New York, so Paris had to make do with some one-on-ones in the showroom. Actually, it worked out really well, because yesterday was the autumn equinox, and Pugh&#;s collection was fully informed by the pagan rituals attached to such calendar watersheds. Although in this case, it was obviously the rites of spring he had in mind. &#;I&#;ve had 10 years of doing this, and my last season in Paris I hit the reset button,&#; said Pugh. &#;It felt like the end of something signaling the beginning of something else. That&#;s why the phoenix is in the film.&#;

&#;I wanted it of the earth, rather than landed from a spaceship,&#; he continued, in tacit acknowledgment of the fact that his clothes often remind people of something extraterrestrial. So there were corn dolly hats, and steer skulls made from papier-mâché, and a playsuit fashioned after Sco